#Mom son in forest movie#

Siiri Solalinna, appearing in her first onscreen role, does serious work here, ably flipping between Tjina’s stone-faced demeanor when trapped alongside her wretched family to hair-trigger nerves when attempting to deal with girls her own age to the deep care she shows for her growing new friend. Tjina starts to understand that truism just as she’s also growing into a woman herself, complete with her own misbegotten foray into surrogate motherhood. Hanna Bergholm’s “Hatching” - about a teenage Finnish girl who decides to nurture and grow a strange (and eventually very large) egg that she finds in a forest - chronicles all sorts of pains and pleasures of womanhood, from motherhood to girlhood and every experience in between, but it’s also concerned with something else that transcends gender: the realization that adults aren’t infallible.

And when they kill people using telekinesis, it’s fair to wonder if the incidents are as preventable as a child falling while running with scissors. They demonstrate the capacity for profound kindness and cruelty in equal measures.

They play and explore, they experiment and make mistakes. The kids we’re supposed to fear may have been born with deadly powers, but they’re simply children in the process of growing up. Image Credit: IFC Films/Courtesy Everett CollectionĮskil Vogt’s “The Innocents” is a film about childhood as much as it is about murder, sharing as much DNA with “Boyhood” as it does “The Bad Seed.” Specifically, it’s a film about contemporary childhood and, in a dangerous world that forces kids to grow up faster and faster, whether innocence is even still possible.īut instead of juxtaposing childhood innocence against adult evils, it seamlessly combines the two. This makes for some queasy body horror sequences involving bloody intestines and giblets shoved into a chasm in the new witch’s chest, and suckling on the gushing wounds of carcasses and corpses. Stolevski has concocted a fantastically gory method to the witch’s madness, as, in order to take on the body of a new host, she must imbibe their organs into her own body.

#Mom son in forest movie#

That’s high praise for a horror-adjacent movie that weds some of the genre’s most elemental tropes to a weird and poignant parable of a loveless witch terrorizing a 19th-century Macedonian community because of her own disappointments in love and motherhood. Goran Stolevski’s elliptical folk tale “You Won’t Be Alone” unfolds like a dream without a map, and so to try and parse it in certain terms is like recounting a dream to somebody who wasn’t in on it. Image Credit: Focus Features/Courtesy Everett Collection While many of the directors highlighted here made a personal brand out of pushing the limits of extreme storytelling, consider the below just a selection (or starter kit, if you will) to prime you for further viewing.Ĭhristian Blauvelt, Kate Erbland, Eric Kohn, Chris O’Falt, Christian Zilko, and Anne Thompson contributed to this story. While some of these films listed below are, in fact, outright horror films, others take a more psychic or spiritual approach to peeling back on society’s, and humankind’s, worst tendencies - or while querying war, faith, or sexuality. to render the worst possible horrors, psychological, physical, and otherwise, onscreen in unflinching detail. Below, IndieWire highlights a selection of foreign-language films likely to keep you up at night terrified, or thinking, or both. World cinema has given us plenty of auteurs hell-bent on creating the most disturbing experience possible, from Pier Paolo Pasolini to Catherine Breillat, Gaspar Noe, and Takashi Miike. Editor’s Note: This story was originally published in April 2021 and has since been updated.